(b)
(1) If
the Phase A applicant and the Phase B applicant are the same entity, the
applicant shall initiate the online application process for Phase B with the
same login credentials used for their Phase A application. The applicant will
be required to input the unique identifier for the soundstage or soundstages,
certified as part of the applicant's certified studio construction project,
upon which the motion picture will be filmed.
(2) If the Phase A applicant and the Phase B
applicant are different entities, the Phase B applicant must create an account
in the online portal. In both cases, the Phase B application must include the
information set forth below:
(A) Applicant
entity and taxpayer ID number.
(B)
Identify if the applicant is a corporation, limited liability company,
individual proprietorship, subchapter S corporation, partnership, or
other.
(C) Enter the contact type
and provide the contact name, title, address, email and phone for each of the
following, as applicable: applicant contact, primary contact, production
company contact, and parent company contact.
(E) Input the identifier listed on the SCL
for each soundstage or ancillary building upon which the Phase B qualified
motion picture project will be filmed.
1.
Each soundstage or ancillary building, or group of buildings, approved as part
of a Phase A certified studio construction project is assigned a unique
identifier. This identifier must be provided for each soundstage, ancillary
building, or group of buildings that the Phase B applicant will utilize in
production of their qualified motion picture project.
(d) Next, the application
shall include, and the applicant shall fill in, the following requested
information set forth below regarding the motion picture being filmed on the
studio construction project facility certified by the CFC in Phase A:
(1) Section 1: Additional applicant
information.
(A) The applicant must attest
that it is the qualified taxpayer that meets the criteria specified in sections
17053.98(k)(2)(B)(iii) and 23698(k)(2)(B)(iii) of the Revenue and Taxation
Code.
(B) The applicant must
provide the production title, date submitted, production category, principal
photography start date, post-production end date, soundstage identifiers,
estimated tax credit. Estimated tax credit must be based on qualified
expenditure estimates, regardless of the cap sum specified in sections
17053.98(k)(8)(B)
and
23698(k)(8)(B)
of the Revenue and Taxation Code, and must not exceed that cap sum.
(2) Section 2: Financing sources
and ownership.
(A) List the following
information for financing sources:
1. Names of
financing sources, amounts, percentage of funding. Named sources must total a
minimum of 60% of total production budget for all motion picture
categories.
(B) For
independent films: In addition, list names of all equity investors including,
without limitations, all partners (including percentage of ownership). Attest
that applicant entity is not owned directly or indirectly more than 25% by a
publicly traded company.
(3) Section 3: Proposed project.
(A) If it is a new television series indicate
if TV Pilot was initially accepted in the program, number of episodes, and
confirm over forty (40) minutes of running time per episode exclusive of
commercials. If it is a relocating television series indicate previous
location, number of episodes previously shot and number of episodes included in
this season. Indicate if the previous season was filmed in California and if
so, the number of principal photography days inside California and outside
California. If it is a miniseries, indicate the number of episodes and confirm
over forty (40) minutes of running time per episode exclusive of
commercials.
(B) Production
schedule. Provide start date of principal photography, end date of principal
photography, estimated end date of post-production and projected or actual
release date.
(C) Key Creatives:
Provide names of executive producer(s), producer(s), writer(s), director, lead
actor(s), director of photography, and location manager, if
available.
(D) Synopsis. The
synopsis must be a minimum of 1600 and a maximum of 6000 characters and include
a description of the main characters, plotline, beginning and ending, and major
scene descriptions.
(4)
Section 4: Production shoot days.
(A)
Principal photography (PP) Days. Note that to qualify for this Program, a
motion picture must be produced by the qualified taxpayer and at least 50
percent of the qualified motion picture's principal photography stage shooting
days must be on the soundstage or soundstages certified as a certified studio
construction project. An applicant shall utilize the certified studio
construction project soundstage(s) for six hours or more for the day to be
considered a principal photography stage shooting day.
1. Enter the requested data for PP Days.
(i) Enter total PP days in Los Angeles (LA)
zone.
(ii) Enter total PP days
outside LA zone, but in California.
(iii) Total California PP days equals (i)
plus (ii)
(iv) Total percentage of
PP days outside LA zone equals (ii) divided by (iii) x 100.
(v) Enter total non-California PP
days.
(vi) Total PP days equals
(iii) plus (v)
(vii) Total
percentage of California PP days equals (iii) divided by (vi) x 100.
(B) If shooting outside
of Los Angeles zone, indicate the California counties where filming will
occur.
(C) Enter the data for PP
days on soundstages.
1. Indicate the overall
total number of PP stage shooting days. This number must include PP stage
shooting days on certified soundstages as well as PP stage shooting days on
non-certified soundstages.
2.
Indicate the total number of PP stage shooting days on a certified soundstage
or soundstages. Input the unique identifier for each certified soundstage
used.
3. Percentage of PP stage
shooting days on the soundstage or soundstages certified as the certified
studio construction project equals (4)(C)2. divided by (4)(C)1. and multiplied
by 100. A qualified motion picture must film 50% of stage shooting days on
certified stages during the production period.
(5) Section 5: Production statistics.
(A) Provide the following information
regarding labor statistics for in-state work:
1. Estimated total number of cast
members.
2. Estimated total number
of base crew members (base crew is the average number of staff and shooting
crew employed per principal photography day).
3. Estimated total background
performers/stand-in man-days. (The sum of the number of days, full or partial,
a person is estimated to work.)
4.
By checking the box, Applicant acknowledges the following required
documentation will be submitted if and when the Applicant applies for a tax
credit certificate, Form SM (August 12, 2022), hereby incorporated by
reference: Subject to self-reported voluntary information, include separate
listings regarding the ethnicity and gender statistics of all individuals who
received qualified wages and all individuals who received non-qualified
wages.
(B) Provide the
following budget information.
1. Provide total
production budget.
2. Provide total
California expenditures (qualified and non-qualified).
3. Indicate if seventy-five percent (75%) or
more of total production budget will be spent in California.
(C) Visual Effects: (excludes
independent films with qualified expenditure budgets of ten million dollars
($10,000,000) or less). Provide total worldwide VFX budget amount, and total
California VFX budget amount. Indicate if the total California qualified VFX is
equal or greater than 75% of total worldwide VFX budget or if the California
qualified VFX is at least ten million dollars ($10,000,000).
(6) Section 6: Additional tax
credit calculation: Uplifts and diversity goals increase. A list of eligible
expenditures and wages are provided as stated in section
5535(a)(1) and
5539(i) and (j),
as applicable.
(A) Out of zone Uplift.
(Non-independent films excluding relocating TV series)
1. Enter total budgeted out of zone wages
excluding local hire labor (applicable period).
2. Enter total budgeted out of zone non-wages
(applicable period) excluding the total consumables.
3. Enter total non-wage expenditures totally
consumed outside Los Angeles Zone (applicable period).
4. Applicable period is defined as in section
5520 -(a).
(B) Local Hire Labor Uplift: Total of out of
zone local hire labor eligible for additional tax credits (includes independent
films and relocating TV series).
1. The
applicant is responsible for collecting proof of identity and proof of the
location where the qualified individual resides for local hire labor at the
time of hire and for providing copies to the CPA performing the Soundstage AUP
(August 28, 2023), hereby incorporated by reference. Without proof of identity
and proof of the location where the qualified individual resides for a
crewmember the Local Hire Labor Uplift shall not be applied for that
individual.
(i) Acceptable proof of identity
is a California Driver's License, a State ID Card, or a Passport.
(ii) For purposes of sections
17053.98(a)(4)(E)
and
23698(a)(4)(E)
of the Revenue and Taxation Code, acceptable proof of the location where the
qualified individual resides is a current home or apartment rental agreement,
or a utility bill, mortgage statement, internet or phone provider bill,
renter's or homeowner's insurance bill, or equivalent document, issued within
the previous three months.
(C) Total California Qualified Visual Effects
(VFX) Uplift (excludes independent films with qualified expenditure budgets of
ten million dollars ($10,000,000) or less). Total dollar amount for California
VFX eligible for additional 5% tax credit.
(D) Total Diversity Goals Potential Increase:
The applicant may achieve up to a four-percentage point increase in its credit
percentage if it meets or makes a good faith effort to meet the diversity goals
in its diversity workplan, as described in sections
17053.98(k)(3)
and
23698(k)(3)
of the Revenue and Taxation Code.
1. The CFC
will review the Phase B applicant's diversity workplan, required pursuant to
section
5534, and the applicant's
subsequent diversity report, required pursuant to section
5537, to make a case-by-case
determination of whether the applicant has met or made a good faith effort to
meet their diversity workplan goals at the time of Phase C tax credit
certification.
2. For purposes of
the Phase B tax credit allocation, credits shall be calculated based on the
assumption that the applicant's qualified motion picture project will meet its
diversity goals and qualify for the four-percentage point increase.
(E) Total Additional Tax Credit:
Enter the following: The total out of zone amount (non-independent films only)
and total California VFX amount and total local hire labor amount (includes
independent films and relocating TV series) which is eligible for an additional
tax credit.
1. Multiply total out of zone
amounts by .05
2. Multiply total
VFX amount by .05
3. Multiply total
local hire labor amount by .10 for non-independent films and by .05 for
independent films and relocating television series.
4. (Total additional amount of 1 + 2 + 3
above)
(7)
Section 7: Estimated Credit Allocation.
(A)
Qualified Wages
(B) Qualified
Non-wages
(C) If applicable, enter
total contingency, which can be no more than 10% of qualified expenditures. The
contingency cannot be included as a line-item within the body of the
budget.
(D) If applicable, enter
total completion bond fee, which can be no more than 2% of qualified
expenditures. The completion bond fee cannot be included as a line-item in the
body of the budget. Completion bond costs for any filming outside of California
must be excluded proportionately.
(E) Total qualified expenditures.
(F) Total tax credit uplifts. Total qualified
expenditures shall be multiplied by 25% if production category is an
independent film or relocating television series; totals in this section shall
be multiplied by 20% for all other production categories. (Credit allocation
applies only to the first ten million ($10,000,000) of qualified expenditures
for independent films and the first ten million ($10,000,000) of qualified
expenditures eligible for uplifts. Credit allocation applies only to the first
one hundred million ($100,000,000) of qualified expenditures for
non-independent films and the first one hundred million ($100,000,000) of
qualified expenditures eligible for uplifts.)
(G) Total tax credit uplift amount.
(H) Additional four percentage point increase
in credit percentage for planned achievement of diversity goals.
(I) Total tax credit amount including uplifts
and diversity goals potential increase.
(8) Section 8. Supporting Documentation. The
applicant shall submit the following:
(A) An
electronic copy of the qualified expenditure budget in a motion picture
industry standard budgeting program, such as, but not limited to, Movie Magic
Budgeting or Showbiz. The electronic copy shall be uploaded to the online
application portal for the qualified motion picture. The industry standard
budgeting program shall provide the following:
1. Qualified wage expenditures and qualified
non-wage expenditures. If applicable, also indicate costs which will be
incurred outside the Los Angeles zone during the applicable period.
2. For non-independent films (excluding
relocating TV series in their first season in California) indicate those
accounts for which an additional five percent (5%) tax credit is allowed for
qualified expenditures purchased or rented and used outside the Los Angeles
zone during preproduction through strike on location; qualified visual effects
if at least ten million dollars ($10,000,000) or seventy-five percent (75%) of
worldwide visual effects paid or incurred in the state; and qualified wages for
services performed outside the Los Angeles zone during preproduction through
strike by individuals who reside within the Los Angeles Zone. Productions shall
also indicate those accounts for which an additional ten percent (10%) tax
credit is allowed for local hire labor.
3. A television series shall submit a
qualified expenditure budget including all pattern and amortization costs, or
separate amortization and pattern budgets. The budget shall be in an industry
standard budgeting program uploaded to the online application. The Production
Budget shall indicate, as applicable, the information required in clauses
(8)(A)1. And 2. Of this subdivision.
i.
Television series applicants submitting more than one budget shall submit only
the pattern and amortization budgets; no additional budgets or budget versions
will be accepted.
4. For
independent films and relocating television series in their first season in
California, indicate those accounts for which an additional five percent (5%)
tax credit is allowed for local hire labor.
5. No motion picture may be allocated more
than the cap sum specified in sections
17053.98(k)(8)(B)
and
23698(k)(8)(B)
of the Revenue and Taxation Code under this Program, regardless of additional
tax credit allowances achieved through uplifts or any other
mechanism.
(B) Fringe
Benefit Matrix: Applicant shall submit information on fringe benefit payments
included in the qualified expenditure budget. After entering project title,
category, and date, applicant provides a detailed breakdown of qualified fringe
benefit payments for union and/or non-union background performers, union and/or
non-union crew, Director's Guild of America (DGA) crew, as applicable. Fringe
payments include: state unemployment tax, payroll/handling fees, pension,
health, vacation and holiday, workers compensation, DGA fringes benefit
payments, and non-union health insurance payments. Casting fees are not
included as fringe benefit payments but must be included as a line item in the
budget, if incurred.
(C) One-Line
Schedule ("production board"). Applicant shall submit in PDF or equivalent
non-proprietary document format a One-Line Schedule which shall include scene
descriptions, scene numbers, holidays and cast numbers and shall indicate which
days are scheduled for filming outside of the Los Angeles zone.
1. A television series may submit in PDF or
equivalent non-proprietary document format a production calendar, including:
the start and end dates of the season, the number of in-state and out-of-state
principal photography days, holidays, and the total number of episodes in lieu
of a one-line shooting schedule. The production calendar must indicate which
days are scheduled for filming outside the Los Angeles zone.
(D) Applicant shall submit in PDF
or equivalent non-proprietary document format the screenplay, including scene
numbers that match the submitted schedule for the production. If the
application is for a pilot that does not have a script, this requirement shall
be waived. This requirement is waived for recurring television
series.
(E) Applicant shall submit
supporting documentation that confirms at least 60% of production financing.
Applicant shall include documentation for each financing source including, but
not limited to, commitment letters, financing agreements, term sheets, and/or
bank statements in PDF or equivalent nonproprietary document format. If the CFC
is unable to verify at least 60% of production financing based on the
supporting documentation provided, the application shall be considered
incomplete.
(F) Pick-up order. A
pilot, new television series, recurring television series, or relocating
television series shall submit evidence, in PDF or equivalent non-proprietary
document format, that the pilot or series is scheduled for photography, e.g., a
pick-up order, when applying for a credit allocation. The number of episodes
indicated on the pick-up order must match the number of episodes in the
application.
(G) Narrative
statement pursuant to sections 17053.98(g)(2)(A)(viii) and 23698(g)(2)(A)(viii)
of the Revenue and Taxation Code. Recurring television series in their second
or subsequent seasons are not required to submit a narrative statement if the
statement is already in the applicant's online submission portal.
(H) Relocating statement. Applicant certifies
that the credit provided is the primary reason for relocation to California (if
applicable). The Applicant must state that at least 75 percent of principal
photography days of its most recent season was filmed outside of California.
The submitted budgets must be no less than one million dollars ($1,000,000) per
episode. If submitting a relocating statement, the detailed narrative statement
as per Revenue and Taxation Code sections
17053.98
(g)(2)(A)(viii) and 23698(g)(2)(A)(viii) is
not required. The certification shall be submitted in PDF or equivalent
non-proprietary document format.
(I) Unlawful harassment policy. Applicant
shall submit company's written policy against unlawful harassment as set forth
in sections
17053.98(g)(2)(A)(ix)
and
23698(g)(2)(A)(ix)
of the Revenue and Taxation Code.
(J) Applicants that administer voluntary
programs to increase the representation of women and minorities, or have access
to such programs, shall submit a summary of those programs including a
description of what the program is designed to accomplish and information about
how the programs are publicized to interested parties as set forth in sections
17053.98(g)(2)(A)(xi)
and
23698(g)(2)(A)(xi)
of the Revenue and Taxation Code.
(K) Company and financial information, if
available and as applicable, as required by sections 17053.98(g)(2)(A)(v),
17053.98(g)(2)(A)(xii), 23698(g)(2)(A)(v), and 23698(g)(2)(A)(xii) of the
Revenue and Taxation Code.
(L) A
diversity workplan as described in section
5534.
(9) Section 9. Certification.
(A) Clicking submit on the Application
Summary is the applicant's acknowledgement, agreement, and certification that
the applicant has read and reviewed the application, including all its
attachments, and that the content provided in the application by the applicant
is true and accurate to the best of their knowledge or at least the knowledge
of what would be expected of a reasonable person in the same
capacity.
(B) Provide name, title,
and date.
(e)
Upon approval of an applicant's Phase B submission, a CAL, Form SD (August 12,
2022), hereby incorporated by reference, shall be issued to the applicant
indicating the amount of tax credits allocated. The amount of tax credits
allocated may be reduced prior to issuance of the final tax credit certificate
based on the Soundstage AUP and the applicant's submissions following
completion of the qualified motion picture and CFC verification of such
submissions as compared to the criteria for the Program. The applicant may
never receive more tax credits than as provided on the CAL and in no event more
than the cap sum specified in sections
17053.98(k)(8)(B)
and
23698(k)(8)(B)
of the Revenue and Taxation Code.
(1) Each
CAL is issued to the specific project described and outlined in the synopsis,
script, schedule, and budget that were submitted with the application.
Exchanging the approved project for a different project is prohibited and will
result in revocation of the CAL.
(2) A qualified motion picture project that
is taken over by an entity other than the applicant entity and wishes to retain
the project's allocation of tax credits must comply with the following:
(A) The original applicant entity must submit
a statement on company letterhead declaring that they no longer retain the
project and specify the business entity that will take over the project,
including that business entity's taxpayer ID.
(B) The applicant entity taking over the
project must submit:
1. Applicant contact,
production company contact, and budget contact.
2. Documentation required pursuant to
paragraph (2) and subparagraphs (E) and (K) of paragraph (8) of subdivision (d)
of this section.
3. An updated
production schedule, required pursuant to subparagraph (B) of paragraph (3) of
subdivision (d) of this section.
(C) A qualified motion picture project
described in paragraph (2) above can only be transferred to a different
business entity prior to the start of principal photography.